Der Frustrated Harpsichordist

Mike, Male, 24yrs, Aquarius, Mexican, Musician: Theory and History, Mostly Baroque Music, Among Other Things... Since Jan/2011

Hope you enjoy the miracle of ancient music.

:)

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*Also you can pay a visit to my Other Blog.


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Base Theme by @kashleys.

Joseph Ruiz Samaniego (fl.1563-1670) (Spanish)

Sirenas en el Viento

by Luis Antonio Gonzales (Los Músicos de su Alteza)

Corsican Traditional

Suda Sangue

by Barbara Furtuna

George Friedrich Haendel (1685-1759) (German/English)

Harpsichord Suite Nº7 in G minor
I.- Overture

by Paul Nicholson.

Santiago de Murcia (1673-1739) (Spanish)

Folías Gallegas

by Rolf Lislevand & Ensemble Kapsberger

Thai Island by Doug88888.

Antonio Vivaldi (1678-1741) (Italian)

Concert for 2 Oboes in D minor RV 535
II - Allegro

by Allesandro De Marchi (Academia Montis Regalis)

Maria Theresia von Paradis (1759-1824) (Austrian)
Samuel Dushkin (1891-1976) (USA)

Sicilienne in E-Flat Major (arranged for flute and harp)

image

for Compo-h-ser.
Also thanks for the information about this piece, it have sense if one compare with the XVIII cenruty style. Thank you very much.

Henry Purcell (1659[?]-1695) (English)

from King Arthur: What Power art thou (The Cold Song)

by Andreas Scholl & Ensemble Artaserse 

What power art thou, who from below
Hast made me rise unwillingly and slow
From beds of everlasting snow?
See’st thou not how stiff and wondrous old
Far unfit to bear the bitter cold,
I can scarcely move or draw my breath?
Let me, let me freeze again to death.

Thoinot Arbeau (1519-1595) (French)

Pavan: Belle qui tiens ma vie

by Christiopher Ball (Praetorius Consort)

Gabriel Fauré (1845-1924) (French)

Pavane Op. 50

George Hitchcock (1850-1913) (USA)

Jacques Duplhy (1715-1789) (French)

Troisième Livre: Médée

by Christophe Rousset

The Witch of the Tempest by Frank Fazetta

Jean-Baptiste Lully (1632-1687) (Italian/French)

from Bourgeois Gentilhomme: Les Espagnols
Sé que me Muero de Amor. (I know I’m dying of love)

by Raquel Andueza (La Galanía)

Sé que me muero de amor
y solicito el dolor.

Aún muriendo de querer
De tan buen ayre adolezco,
Que es más de lo que padezco
Lo que quiero padecer.

Y no pudiendo exceder
A mi deseo el rigor.

Lisonxéame la suerte
Con piedad tan advertida,
Que me assegura la vida
En el riesgo de la muerte.

Vivir de su golpe fuerte
es de mi salud primor.

Breaking Hearts by Andrea Cibelli

Joaquin Rodrigo (1901-1999) (Spanish)

Concierto de Aranjuez (Arranged)

by Miles David

Tarquino Merula (1594/1595-1665) (Italian)

Canzonetta Spirituale sopra alla Nannaa: Hor ch’e Tempo di Dormire

by L’Arpegiatta

Mary sings a cradle song for her newborn son while breast-feeding him, but her song is at the same time a lament in which she abandons herself to harrowing visions of his future life and sufferings. The rocking motion as she cradles her child is represented by an unusual ground bass in triple time that uses only two notes; it seems to lull Mary into a trance-like state, and with her the listener. She gaces at the hands, feet and miraculous countenance of her newborn child and sees his hands and feet pierced by nails, his eyes covered by a cloth drenched in sweat and his face spat upon and beaten. The ninna-nanna refrain at the end of each stanza draws her back to the present and her beloved child(…)
Via Crucis Booklet

image

Andrea Mantegna (1431-1506) (Italian)

Madonna of Humility

Heinrich Ignaz Biber (1644-1704) (Bohemian-Austrian)

Passacaglia in G minor

by Fabio Biondi

Giovanni Battista Ferrandini (1710-1791) (Italian)

Cantata Sacra: O Spettacolo pur Troppo Funesto
Aria (Lento)

by Elisabeth Scholl & Echo du Danube

Monasteiro Santa Maria da Vitória, Portugal by Karen